LIKE THE NATURE OF STARS
“There
is no doubt that gemstones have something of the hidden virtues of
the bodies that are above the vault of heaven... beyond the powers of
the four basic elements of nature... some stones have something in
them of the nature of stars.”
~Thomas
Aquinas~
Working
with minerals was once mainstream in the West, for hundreds of years.
During the Middle Ages and Renaissance, gemstones were not only
luxury goods, they were medicines for healing. Texts called
lapidaries (Latin, lapidarius,
“on stones”) described both their mineralogy and meaning, derived
from classical sources, gem related Biblical passages, and astrology.
Their metaphysical
properties were called virtus occulta (Latin,
“hidden, secret, concealed virtue”). Virtue in this context does
not mean morality but rather efficacy, the capacity for something to
produce an effect. Most things had virtus elemantaris
(Latin, “natural, elemental, manifest virtue”), an obvious
quality like one of the four elements: some are warming like fire,
others cooling like water, some make things wet like air, others dry
things out like earth. Only some things had hidden virtues
(virtus occulta), the most
common example being lodestone.
Lodestone
is a natural magnet, a variety of the mineral magnetite, that
attracts and repels iron. Its hidden virtue, an influence over iron,
was “hidden” because it did not correspond to an elemental
quality (hot/cold, wet/dry); it could be understood intellectually,
but not perceived directly with the senses. Other mysterious
phenomena, like the negative electric charge of amber, were also
included among the hidden virtues. (Scientific models of magnetism
and electricity would not develop until the late 16th
century.) However, most hidden virtues were similar to the
metaphysical properties attributed to minerals today. According to a
medieval Arabic lapidary, attributed to King Solomon:
“Some give favor in
the sight of lords; some protect against fire; others make people
beloved; others give wisdom; some render men invisible; others repel
lightning; some baffle poisons; some protect and augment treasures;
others cause that husbands should love their wives.”
Because
they did not have qualities like the four elements, many attributed
the hidden virtues to celestial influences instead. Following
classical models, the universe was divided into two realms: the
celestial one, filled with the fifth element aether, and the
ever changing terrestrial one, home of the other four elements. The
planets and stars were eternal, consistent except their position;
their light, heat, and invisible influences were responsible for
changes in the material world. Their motion was ultimately
attributed to God himself. While magic might rely on demons, the
hidden virtue of gemstones was seen as completely natural, created by
God, originating in the Sun, Moon, planets, and stars.
THE ORIGINS OF ASTROLOGICAL CORRESPONDENCES
“God
hath imprinted upon the Plants, Herbs, and Flowers, as it were in
Hieroglyphicks, the very signature of their Vertues.”
~Robert
Turner, 17th century astrological botanist~
Different animals, plants,
and minerals were believed to have an affinity, correspondence, or
rulership by a planet and/or zodiac sign. The terms vary by source.
The 16th century German physician Paracelsus popularized
the concept in herbalism, calling it the doctrine of signatures: a
belief that many plants displayed signatum (Latin, “signature,
mark, indication”), distinctive characteristics that indicated
their healing uses. These signs were left by God, like wax
impressions made by a seal, to reveal their virtues. The most common
example was Saint John's wort, used to treat wounds; it appears to
bleed when crushed, releasing a red oil, and has small holes in its
leaves.
A material's astrological
ruler was determined in a similar way:
- Each planet was associated with particular colors, shapes, and traits.
- Each planet was assigned certain parts of the body, things used to treat them were ruled by the corresponding planet.
- Like an element, each planet was associated with a combination of qualities (hot/cold, dry/wet).
Since
Mars rules the blood, Saint John's wort could be a Martian plant, but
is is traditionally Solar instead. It has yellow flowers with
radiating stamens, blooms around summer solstice, the longest day of
the year, and was used cross culturally to dispel darkness. The 16h
century herbalist Nicholas Culpeper lists it as a “hot and dry”
plant, the qualities also associated with the element fire and the
Sun.
For information on Solar stones, see:
Gemstone Cures for the Sun
For information on Mercurial stones, see:
Planetary Gemstones of Mercury
For information on Venusian stones, see:
Gemstone Cures for Venus
© 2012, C. L. Matthews
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